D'arce Choke: Setup, Finish, and Key Principles
This document contains transcripts from top YouTube videos on the D'arce choke.
1. The Awesome D'arce Choke - One Of My Favourites!
URL: https://www.youtube.com/watch?v=v_WjtZVGzvETranscript
the - choke one of my favorites guys I'm gonna show you my favorite setup hey guys quick song I'm here today we've reached and we're gonna have with it the - choke I love - chokes a lot of guys on my mat lab - shows they're super cool attacks they work regardless of your body type but certainly people that have more of a lanky physique like myself have a really easy time getting them but there are great attackers they're quite sneaky especially for head nod chokes I think they're probably the sneakiest at nacho so if I've got Reese laying down here we'll have a look today about doing it from side control I really like doing them from side control and I like in particular doing them to counter and underwater so if the guys a sucker you can just beat him up right but if he's a good guy you managed to finally pass his guard but now he's got an underhook with his firearm so although I'm in a dominant position he's got the dominant arm position so I'm gonna I've got a room battle on my hands so a lot of people when they get the under hook like this you control Whizzer in or you can lay on this gear it's all good stuff but he's got a lot of things that he can do with that under book so I personally like to throw my Whizzer in my over book but not to stop he's under hope I'm gonna let him try to use the under book now I'm gonna turn it into a dance so when Reese has got another book here I actually don't put a lot of pressure on it so I let him turn up on to his side which is what he wants and now is where I'm gonna go from my darts and this is how I'm gonna do it my right hand goes under and I'm gonna already try to put my thumb behind the nape of his neck when I do that especially if he was a bigger guy than me I'm gonna potentially have to bring my ear all the way down like I'm listening to the back of his lungs here on his last however his arm is still on this side of my body which is not only a strong position but it also means that this deltoid here isn't in this corridor so what we're going to do now is we're going to get up onto our and our field and we're going to move our body and push his army so this is a really subtle thing to do and a lot of the time you don't need to do much at all you just lift your body up and then once his hand on your back drops off it will be in the perfect position because I want this humerus bone of his upper arm in the line with my spine right so once I'm here I'm now going to get my left thumb and put it between my rock piece side okay like this and then I make a fist so once I've got him here like this I now clamp my left elbow down and I can pull his head in really tight because he wants to almost finish a dead lift if he wanted to escape this he would arch back so he's gonna lean back like that see I can't get my hands together that's what he wants to do so obviously I don't want him to do that I don't want him to do this with his spine so I'm gonna pull in I put my left arm in my right here sign here and then make my grip and pull so I've got in here and I grab and I pull his head in now that I pulled his head in it's absolutely imperative that I don't let his head come back so once I pulled his head in if I stopped his head and now I slide my hand through as far as it will go once it's as far as it'll go I keep my forearm there and down until now it's my bicep stopping his head and I lock this arm as high up on his back as my grip will go now from here I can finish however guys I would strongly suggest if you can to squeeze it tight I won't squeeze it tight now because poor reason will pass out by the time I'm finished explaining myself but I would squeeze really tight and now I'm gonna switch my back's to face his legs and now step to mouth and now I focus all of my body weight on the back of his tricep as I squeeze and I get an easy tap I really like this one because if I screw it up I'm still in now if I screw it up from side control he might escape so I'd much rather go to mount so let's have a look at this one again so he's got a nine to hook on me so I got to put my Whizzer in and now I get up and I moved his arm into the middle of my body like so his humerus is in line with my spine now I'm going to push his head as I grab with my family between my fingers and I pull him in fact once I've got him in tight I now slide my arm down while keeping pressure crunching his neck until I can grab my bicep I lock it up high I squeeze as I switch my base I get to Matt and this is the key here he's still on his side as I flatten him his arm gets pushed into his neck and here's the tab very easy right you don't need to use a lot of strength at all let's do one in fast motion and then I want to show you a bonus so I'm here and he's got the underhook swagger here come on get his arm in and now pull his head in time get my lock be nice make sure when you let this one go you post on your head and take your arms out you don't want to get up with your weight and his neck and put the guy to sleep during trance so sometimes Reese's on his hands and knees so when your part is in a turtle type position this is a really good time to go for this show so I've got my partner here and I'm in a turtle style position obviously many variations of this but we're just gonna do this one so I've got him like this what I'm gonna do is I keep my chest on him as my right hand here circles back okay and I'm going to go under the armpit and Thummim to the back of the neck just like before okay so I'm here I put my ear on his back and go out to here now I put my left thumb between my right piece I'd make a grip and now I'm gonna pull his nose to my right knee and watch what happens it's like a magic flips onto his back like you're super strong okay it's just crazy leverage now I must run around so my spine is perpendicular to his so I now must run around towards his legs now I pull his head in keep the pressure that way while I slide my down hand on the back switch my face and pressure okay so one time I speed with that one if you're on your hands and knees I'm here spines will turtle keep my weight on him I grab him pull run around pull in lock mount squeeze thank you very much so that's the dark show guys it's an amazing trick it's very sad it's not hard to do on big people so I had to do on small people it's just a really great attack and I really like this one because you're using their weapons they're wonderful that's a good move you're using their techniques against them and you're punishing good behavior which I like because when he's got an underhook he thinks man I'm getting out I've got an underhook and that's the very thing years against him so it's good you did so in my mind I hope you guys like it that's the - choke have fun ok strong series thanks for watching the video guys for more videos click here to subscribe to this channel to get all of our awesome videos and click here and if you'd like to have our hour-long series for free on foot locks and how to defend foot locks and leg attacks of all kinds please click here I'm coach Tom guys I'll see you next time
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2. Choking Mechanics You WON'T Learn In Class... D'arce, Anaconda & Arm-In Guillotine Complete System
URL: https://www.youtube.com/watch?v=wtgggEGnMOoTranscript
the DARS anaconda and arming Guillotine are all connected and form a system the front headlock choke system using these chokes together gives you a powerful system to attack using them based off not only your preference but also your opponent's reaction as you need to take what's available for the path of least resistance all three are available from the front headlock where you have one arm under the neck and one arm under the armpit either with your hips facing down towards the mat or up towards the sky this is the inverted front headlock and as you can see I use it to answer the Anaconda just like the front headlock itself for all three chokes you have one arm under the neck and one arm under the armpit that's what makes it so easy to switch between them and use them as a system for an anaconda joke you grip your bicep under the armpit and for a darts choke you grip your bicep under the neck for an arming Guillotine both your grips are under the chin hand over hand many Grapplers have a hard time avoiding neck ranking their training partners with these chokes because they simply don't have a solid grasp on proper choking mechanics meaning choke bites elbow positioning and rotational pressure choking mechanics are essential to hit clean chokes that are all choke and no neck crank of course a tap is a tap in competition but the pursuit of perfect technique should always be the goal perfect technique to put your opponent to sleep if they refuse to tap as not everyone will tap the pain the DARS anaconda and arming Guillotine all have the same finishing mechanics let's look at those mechanics and then entries into the front headlock we'll start with the DARS there's a hard part of the neck which is muscle and a soft part of the neck where the corner artery is located putting pressure on the hard part of the neck will just cause pain putting pressure on the soft part of the neck will block off blood flow to the brain you need to put pressure on the soft part of the neck for a clean all choke no neck crank DARS the key to a clean DARS is elbow positioning the way you position your elbow will determine whether the pressure of your forearm is going to the hard part of the neck or the soft part of the neck if your elbow is low the pressure will go to the hard part of the neck and put pressure on the muscle by raising your elbow up towards the armpit your forearm will then be in line with the soft part of the neck your pressure has to go somewhere and it's essential to make sure that you can feel the soft part of the neck before applying any pressure see this big gap here this is a weak choke bite a choke bite means to position the Pivot Point as close to the neck as possible as well as angled correctly to hit the soft part of the neck by lifting your elbow you position your forearm parallel with the soft part of the neck and take away that Gap taking away that Gap creates a strong choke bite when you enter into a DARS you shoot your arm underneath their armpit and underneath their neck lifting up on the head will allow you to shoot your arm deep so you can take a strong grip on your bicep but if you try to finish with a deep grip you're going to be putting pressure on the hard part of the neck because the pivot point will be angled incorrectly in this case the pivot point is the inner elbow which is why once your arm is deep you need to retract your arms so that only your hand is peeking out behind their head retracting your arm for a shallow grip will allow you to raise your elbow to position your pivot point correctly if your arm remains deep your elbow will be unable to lift and due to the angle of your elbow the pressure will just go to the hard part of the neck once you have your arm retracted you can now raise your elbow to take proper elbow positioning now you can squeeze squeezing will force your forearm into the neck but this isn't enough you must also force their neck into your forearm it's a dual motion for maximum pressure back to the scissor analogy it's one blade going up and one blade going down it's not just one blade going up you force their neck into your forearm by pushing their head down while your forearm presses up do this you need rotational pressure watch out both my elbows rotate and my torso pushes down on the head force is being applied both up and down like scissors if you only rotate you'll just neck crank your opponent and if you only squeeze you likely won't be able to generate enough pressure to cut off blood flow doing both simultaneously will ensure it's a clean choke before it's ever a neck crank let's first look at entering into the DARS from the standard front headlock with your hips facing down when your opponent is in turtle from here you need to transition yourself to the side of your opponent this will enable you to shoot your arm that's underneath your opponent's armpit deeper so you can take a Gable grip above their head this is what's called a quarter Nelson and you use it to take your opponent from their knees to their side the reason you want to bring your opponent to the side is because if you try to lock it up now and finish you won't be able to get rotational pressure on your opponent you won't be able to push their head to force their neck into your forearm you can only squeeze and unless you're significantly stronger than your opponent you won't be able to get enough pressure on the Carotid artery you'll only have pressure in One Direction additionally it's a lot easier for your opponent to escape when they're on their knees you bring them to the side by pressing your forearm down onto the back of their head causing them to flip now you shoot your arm deep grip your bicep retract your arm to allow for proper elbow positioning squeeze your arms to a pressure on the soft part of the neck and rotate to push their head to push the soft part of their neck into your forearm when you flip them onto their side using the quarter Nelson you need to be careful not to flip them too far and onto their back as is more difficult to lock up the DARS when your opponent is on their back because it makes your grip too shallow and difficult to grab your bicep watch how in this clip my grip becomes too shallow to grab my bicep if you do flip your opponent onto their back you'll be unable to adjust your elbow for proper positioning or get the same rotational pressure as them being on their side so instead you can go with their movement and rotate your body all the way through for Belly Up DARS where you guessed it your belly is pointed up instead of down as you roll through you still need proper elbow positioning you need to drop it down towards the armpit rather than up when your belly is facing the mat now you walk your legs to theirs this will give you that rotational pressure by pushing on the back of their head as you drop your elbow down if you catch their legs this is optimal as you don't want them running around in circles trying to hide their legs to prevent rotational pressure if your opponent manages to get to their knees you don't want them there as it's easier to defend and escape from their knees you need to bridge into them to flip them back onto their side as a rule of thumb you want to keep people off their knees and off their back to finish darses the only time it's all right for them to be on their knees is if you have a guard because you can still get that rotational pressure although there are many positions to finish a DARS doing so from neon belly is the best way to practice and master rotational pressure in my opinion because you can easily base with your head so your arms can move freely to rotate but you can finish from Mount the side Belly Up guard or wherever is the path the least resistance for you based off opponent's reaction you just need to position yourself in a way that allows for proper elbow positioning and now let's look at the anaconda choke but first and now a quick word from the sponsor today's video elements if you train Jiu Jitsu then chances are you're often played with fatigue and muscle cramps I used to suffer from those as well so much so that I wouldn't be able to train properly now the main reason that this happens is due to the loss electrolyzed through sweat primarily sodium and when sodium isn't adequately replaced the acidos muscle cramps that the tea kick in which is why I started drinking elements is a tasty electrolyte drink mix with a science batch electrolyte ratio of sodium potassium and magnesium it contains no sugar no coloring no artificial ingredients none of that junk plus it's used by everyone from NBA players Olympic athletes Navy Seals it's everyday exercise enthusiasts and right now element is offering my listeners a free sample pack with any order that's eight single serving packets free with any elements order this is a great way to try all eight flavors or share elements with a salty friend get yours at drinkelement.com Jordan teaches this deal is only available through my link you must go to drink element.com Jordan teaches let's now look at the mechanics of the anaconda choke elbow positioning is again essential for your pressure to go to the soft part of the neck if your elbow is high your pressure will just go to the armpit remember the pressure needs to go somewhere and the armpit is not where you want it by positioning your elbow low towards the mat you line up your forearm parallel the soft part of the now when you squeeze your forearm will press into the card artery suppress their neck into your forearm you need rotational pressure you do this by pressing your chest into their head rotating your body into them again referencing the scissor analogy it's one often your opponent will try to flare their elbow to relieve pressure of the neck going into their forearm this additionally makes it harder to lock up in the first place to counter this you need to lift up with your hips to push their arm across their body using your hamstring and keep it there for better control and to create even more pressure forcing their neck into your forearm foreign block with your hips facing down many like to lock it up and then roll through to finish but in my opinion this is wrong to me it's like trying to hit a sweep without first taking your opponent's posts out and it's harder to walk up in the first place unless you have long arms which is why I like to use the same methodology as the DARS take your opponent off their knees and then lock it up to do this you again Gable grip and force their arm across their body to take out their post and now just tuck your head so you don't crush it and roll through and then lock it up to finish now let's look at the mechanics of the arm and Guillotine a choke that so many people have a hard time getting right and tend to favor the arm out Guillotine instead but I much prefer the r Mangia team as unlike the arm out guillotine the arm in Guillotine has the advantage of being able to switch to the DARS and Anaconda as well as not giving up the control that the front headlock offers for the arm in Guillotine you grip hand over hand four fingers over the blade of the other hand the same grips as the front headlock itself the only thing that differentiates the front headlock from the arming Guillotine is if you're actually trying to finish with the guillotine or just using it for control the way you want to position your grips for the arming Guillotine is your opponent's neck just a little bit past where your hand rounds the hard part of your wrist slash forearm and now you lift your wrist upwards to press it into the soft part of the neck you should be able to feel the soft part of the neck if you don't you're likely too deep and will put pressure on the trachea and risk injuring the throat lifting your wrist up presses it into the car to artery but you also need to press the card artery into your wrist and again use rotational pressure to push their head down push your wrist into the soft part of the neck and push their head to force their neck into your wrist from your guard you need to be on your side to get rotational pressure this will enable you to actually rotate if you're on your back it'll be tougher to rotate but you can still push their head inward with your bicep this does cause a little more discomfort for your partner the soil I don't always like to finish like that from your guard you need to position your legs in a way where your opponent can't jump to the other side to pass your guard if this happens you should just let go of the guillotine otherwise you run the risk of getting Von flu choked my preferred way to grip with my legs is using the shin of my inside leg across the belly and my outside leg gripping behind the back when I can't get on my side because my opponent is countering well by driving into me I like to transition to the inverted front head block or the mounted arming guillotine for a mounted arming Guillotine just like the DARS you need to keep your opponent off their back as it'll be harder to create rotational pressure you need to keep them off their back and you do that by catching them with your heel to keep them on their side even if just slightly with them on their side you can create that rotational pressure but with them on their back they can stiffen out and it's much harder to get similar to you being on your back when you're in your guard you transition to the Mount of guillotine or the inverted front headlock by pushing off the mat with your outside foot and lifting up with your inside foot similar to a butterfly sweep now let's look at entries into the front headlock the grips of the front hand block compared to the arm and Guillotine are pretty much the same other than you can grip the chin a little closer to the round of the hand for a little better control of the chin which is always important to control especially before you transition to a choke you can stay where you are from the inverted front headlock to transition to the Anaconda or turn to your knees to attack the DARS my favorite entry is the rolling front headlock a technique that people on Instagram and Tick Tock love to tell me doesn't work obviously it does work and if you try this just be careful like I am as any time you have falling body weight and especially with control the head it can be a recipe for disaster if you're reckless the best time to go for this is when your opponent is looking up at you because their head will be off the mat and there will be room for you to shoot your arm underneath their chin it's especially useful if they're trying to off balance you forward instead of fighting against it you go with their momentum and enter into the front headlock why pass the guard if you can just do a rolling front headlock underhooks basically anytime your opponent has underhooks this is a great time to answer the front hat block as your opponent's underhook gives you access to gripping underneath their you can make them pay for what otherwise would have been a great offensive grip for them to take this works especially great from half guard when your opponent isn't using their T-Rex arms as they should or from side control neon belly even mounts basically any position where your opponent underhooks you when your opponent does a poor job of protecting their neck this is a great time to enter the front headlock in fact I often don't fight the hands as often as I should because I'm so confident in my Guillotine don't be like me though fight the hands you can learn all about how to fight the hands in my upcoming wrestling for jiu jitsu instructional coming out soon with former D1 wrestler Joe Brisa guard when your opponent leads with their head this is a great time to snatch up their neck leading with their head meaning that their head is past their knees this isn't necessarily always a bad thing to do if you position your head and wait correctly but often people will pass with their head right there for the taking and if it's not there for the taking you can often just push it to where you need it Turtle we've already covered turtles so there's not much to say about it other than you can always transition to the back if you feel like you can't easily get underneath the chin I've added a whole new section on choking mechanics in my Jitsu Theory course so make sure to pick that up to level up your Jiu Jitsu let me know if you suffered from some pretty bad neck cranks from these chokes that are poorly performed hopefully your training Partners watch this video and that's no longer the case thanks for sticking around till the end of the video if you're still here please leave a comment or a fist bump and I'll see you guys next time
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3. All About the Darce Choke - Pathways & Back-Up Plans
URL: https://www.youtube.com/watch?v=sbiPFMwlE10Transcript
[Music] what's up guys it's eli with night jiu jitsu and um this is a video that i have for you today it's about darces um i love darsh chokes uh theoretically i like them a whole lot um but they're one of these things that really made me think about how to combine things because you have to have entry points into them you have to know how to set them up where to set them up from that's appropriate and you also have to have to have some backup plans or you have to understand that the uh the problems forks on the road uh dilemmas trilemmas that you're gonna create by going for this dars if they go to defend it so by knowing how they're gonna respond appropriately as long as you have things like in the chamber for whenever they respond a certain way these dars chokes a lot of the time as with other arm triangles and other submissions can really create new opportunities so what i wanted to look at today was just basically the mechanics of the dars how to hit it where to get it from and then you know a couple of responses that can lead to some other cool so we're going to start from turtle position i like to first look at the mechanics of it just starting from turtle because what will happen from here different entry points i can go in here for an anaconda choke i can go in for a dark choke on this side i can go on for guillotines all kinds of stuff so this is a good place to explore initially uh chokes like the darks so what i'm going to do here is um think about that my arm is going to enter in by his armpit it's going to come out up here by his shoulder or by his neck rather like this i'm going to put this hand on the back of his neck here palm up i'm going to gable grip my two hands together i'm going to push down on his head and lift up here this way to flip him over in front of me now i don't follow over this way i'm not rolling like an anaconda choke instead i'm centering myself over here perpendicular to him and i'm going to keep pushing his head in and reaching my arm through a good way to get this arm and deep enough is to drop my head and neck down here towards his love handle that way and push and pull through nice and deep then i'm going to shove this one toward the ground here this way and then scroll forward squeeze and then there's the darks right there so this is the basic application of it now what he does to respond to the fin to counter this a lot of the time will determine what i'm going to do next obviously so um a common response that i might encounter here is that he knows that i'm reaching through this arm trying to find his head over here so he tries to keep his head away from me right so that's why i went up doing this to try to pull it back into place where i try to lock and push back here but if he's got a strong neck and he's really prepared for this and his timing is on then he may keep that head away from me so a good backup plan for me to have here if i can't reach his head he's keeping it way too far back i'm going to bring his hand to the other side here on top of his neck so what that's going to allow me to do now is i'm going to make a pass to the other side of this body and staple this hand to the floor this hand can help me a little bit if i need to but i come here and it puts them flat back on the floor like this now this creates some cool opportunities for me if it's no ghee one of my favorite things to do from here is to go in for a gable or s grip and then go no g baseball bat choke here so what's happening with that i'm putting palm to palm i'm getting my s grip and i'm going to drop this elbow back here make that connection fold around his neck elbows come together here this way up and squeeze and it's a really nasty nogi baseball bat choke obviously we're in the ghee today so if we get here i can go in for a standard baseball bat choke this way here turn the corner and finish that baseball bat choke like this too so what we'll do here is i'm reaching like this um he's reaching his head back i'm going to turn transfer stage into this week here i'm going to try to keep his arm cut off on that side right there as he goes to frame toward me i'm going to shove this one down nice and low i'm going to use this to pick his head up step kick around and through and then now i've got my mounted triangle on top of them or arm bar option if i'm not getting that amount of triangle for some reason of course the mechanics of this i'm trying to keep the knees pointed the same direction not pushing away from each other i fold the two legs in this way keep my hands here squeeze or arm bar from here whenever i'm reaching through i'm trying to get this star stroke like this here and um he guns it a little bit too fast and he's starting to turtle up on me so he can go here and he can turtle up especially if he has this arm here on the outside it kind of kills my opportunity to get that dart stroke after all so when i feel that though something i can do let's reel it so something i can look to do because what that's going to do is two things he's keeping me from getting it deep enough on this side and when he goes to turtle like this here so i have a shallow grip one and two shallow grip to his armpit and then i shoot this one in shallow grip here now the you can either use an s-grip or a wrist watch grip i often find that a wrist watch grip here like a guillotine is uh one of the better ones to use on this choke so what i'm going to look to do from here is this i want to act like i'm going to pick him up i'm going to throw this leg over his head and then i'm going to throw the other one over his back as i go to sit here and i'm going to pull squeeze it's a really nasty choke proving a necktie like that so um now i like to show ghee and no ghee variations obviously that one works ghee or no ghee it's a really nasty tight choke but if my key is already kind of bloused out like this here and i shoot in and i feel like he's going to turtle on me like that then i can take this one here as he goes to turtle and i can shoot inside this way so what i'm doing is reaching this one under passing it to my other hand like this here and then now it's even worse because as i go to sit in here this way one two here then that choke is even tighter because i'm using the strip of my bead and my lapel here so on this one here um if my key is already bloused out and i feel that he's got that kind of uh yeah he's going here and he's going to this one here i'm going to pass it underneath i'm handing it to my other hand like this here so now it's not just the connection of my two hands going for the peruvian but it's this lapel piece right here that's going in tight around his neck i'm going to step over the back of his neck here as i go to sit down i'm throwing my other leg over his back this way here and then that way is pulling up and it's doing accomplishing basically the same thing as the peruvian necktie but this time it's actually a derby choke which is what this is called when i use a lapel like that not on my back another place that we can look to find this darsh choke that's pretty sneaky is off of the ghost escape a lot of the time so basically what's happening here if we start in side control and he's got some kind of just basic side control on me like this here my arm here is it's in danger a little bit but it's especially in danger whenever he goes to throw this arm to the other side now when the storm is on the other side is between his two arms and is primed for attack so this is dangerous for me i can hide the arm this way here but if he does a good job of isolating it and not so good of a job of isolating this one then what i can do here is throw this arm over the back this arm here by his hip is going to disappear to the other side of his body like this so if he's starting to think about maybe um starting to isolate this arm or maybe like want to move to north south or attack for kimura anything like that then what i can look to do from here is push his head down punch up toward his hip like this here and then kind of run my legs out from underneath this way once i clear out to the side here i want to try to get up here as much as i can i don't want to stay here and try to finish the star stroke i want to try to get my head up on top of them here and then come this way squeeze and then i've got a darts from bottom coming out off that escape often referred to as the ghost escape like that so anyway guys that's a couple of routes to get to that darth choke where they're going from turtle position from side control even from bottom side control like that ghost escape and it's also got some backup plans to it it's important that i have some good solid uh problems created from my initial thing and it's not that those backup plans are what i'm planning on throwing up this weak submission attempt and then having it fail so i have to resort to these backup plans the main function of backup plans is actually to instill confidence for you to throw that primary attack because oftentimes like if you have the confidence that i know even if this goes wrong even if i screw this one up i'm still going to have the ability to finish with one of these other things oftentimes it'll reinforce the confidence in that primary attack and it'll make you have more success rate so hopefully that's what this does having these backup plans all the time and let me know if you like these guys and i think let me know too if you have any kind of backup plans you use off of dars or you have any other kind of entries you like to get the dars from and uh because i'm always looking to steal other people's stuff so thank you guys for watching i appreciate it thank you matt keep watching night jujitsu channel
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4. How to do the D'Arce Choke, Step by Step
URL: https://www.youtube.com/watch?v=VOliFfkp5IkTranscript
how to choke somebody with a Darth choke when they've got you in the half guard and they've got an underhook on your back the trigger position for you is when that underhook is kind of in the middle of your back it's not super high it's not super low this is sloppy for him and it's a great opportunity for you his left arm is coming up I'm going to over hook it with my right arm this stops him from sliding down to your back next I am going to come under his head with my top hand my left hand and pull his head towards me then I'm going to shoot my right hand deeper so that both hands are pulling his head toward me I do not want his head to escape backwards go ahead that is what I do not want now keeping his head here I'm going to turn my top head my left hand fingers down and that allows me to wiggle in my bottom hand even deeper now I'm going to slide my forearm on the back of his head I don't let go because again his head would Escape I'm going to slide my forearm in collect figure four my arms I drop my weight back and down a bit and then drive forward on the balls of my feet squeezing until he Taps I don't want to drive above his shoulder I don't want to go here that doesn't help me I want to drop my weight here and push him flat while I've got that long once again overhook cross face pull the head shoot the second hand in hold the head with both hands top hand turns Palm down slides in deep lock up the figure four squeeze drop my weight down and back then drive off my toes until he taps
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